Series Collections

My work is available for purchase, please feel free to contact me if you wish to purchase a piece.

Rilke’s Faraway Gardens I.jpg

Faraway Gardens Series

This work is about the impossibility of translating the hauntingly beautiful poem Herbst (Autumn) by the poet Rainer Maria Rilke (1875-1926):

“Blätter fallen, fallen wie von weit,

Als welkten in den Himmeln ferne Gärten.

….

Und in den Nächten fällt die schwere Erde

Aus allen Sternen in die Einsamkeit.”

The sense of leaves falling from heavenly gardens faraway and at night the heavy earth falls into our loneliness were the impulse of this work of Faraway Gardens.

Pictured: “Rilke’s Faraway Gardens I”

Closing In.jpg

Charcoal Series

This work explores the physicality of darkness and light as well as their metaphorical values in human experience. I play with line and surface, contemplating the relationship between the two and what each signifies: line with its temporal quality, and surface with its spatial quality, thus its sense of place.

Pictured: “Closing In”

 
Nightly Meanderings.jpg

Cill Rialaig Series

This body of work was created during and after a two-weeks artist’s residency in one of the Cill Rialaig artist’s cottages in county Kerry. We had a view of the vast Atlantic from the house, which self-catering and contained a studio at the back of the house. The stony steps, the ruins, the cerulean sky, the magenta hues of the sea with its silver horizon, the mauve bogs and sky-reflecting lakes inspired this work.

Pictured: “Nightly Meanderings”

Boats and Kites VI.jpg

Boats & Kites Series

In and out of Blues is about a journey of letting go. Moving through darkness and light in various shades of blue changes the person on this journey. This change is reflected in the paintings themselves: from being moody and ethereal they become more energetic and defined; during the dark hours the light, coming from beneath, is suffused, but as time passes the light becomes more prominent. 

A quote from André Guide summarises well the intention of this work: One does not discover new lands without consenting to lose sight of the shore for a very long time.

Pictured: “Boats & Kites VI”

 
Rockpool XX.jpg

Rockpools & Secret Creatures Series

In my work I am looking for the rare and precious, like secret treasures. I am trying to translate the feeling of otherworldliness into natural forms such as rockpools or fossils by using darkness and light to represent this process of quest and discovery. Lines are drawn into thick layers of bright paint and then gradually dark opaque and transparent colours are applied. These are then partially removed to emphasize certain marks and shapes.

I like to examine what lies beneath the surface beyond what is immediately visible. During the paint process I leave this world for a while and disappear to a place where shimmering things and strange creatures are able to surprise and enchant me.

Pictured: “Rockpool XX”

Hiding Places IV.jpg

Hiding Places Series

There are very few sanctuaries of silence and solitude that protect us from unwanted loud voices and mental invasions around at. As children we were smart because we searched for those sanctuaries in the form of hiding places such as treehouses, dens, sheds and shaded garden corners.

In my work tried to capture the longing for such hiding places through the use of gaudy childhood colours combined with serious adult colours. Towers, tents, treehouses and ladders are only implied to reflect the fragmented childhood memories of secret and safe places.

Pictured: “Hiding Places IV”

 
Rockpool XX.jpg

Red Ponds Series

I often perceive the world more powerfully through its undercurrents than through its surfaces. Words like echoes or traces describe this perception and I have tried to translate these words into a visual language. The visible surface of a lake is reminiscent of the dividing membrane between the subconscious and the conscious, where fragments of dreams and memories surface whilst others remain buried.

A quote by Margaret Atwood in Cat’s Eye summarises the above succinctly: …. I began then to think of time as having a shape, something you could see, like a series of liquid transparencies, one laid on top of another. You don’t look back along time but down through it, like water. Sometimes this comes to the surface, sometimes that… Nothing goes away.

Pictured: “Red Pond I”


Faraway Gardens Series



Charcoal Series



Cill Rialaig Series



Boats & Kites Series



Rockpools & Secret Creatures Series



Hiding Places Series



Red Ponds Series